Fall 2016 Intern
The Isabella Stewart Gardner Museum
is always quiet. Even mid-afternoon on a Saturday the crowd was hushed. I stood
and looked through the glass at a six-hundred-year-old book. Lines and lines of
meticulously hand-painted text covered the pages. I was struck by the sheer
amount of work that went into what was before me—and I was only looking at one
spread!
Beyond
Words is an unprecedented exhibition of illuminated manuscripts from
the Renaissance and Middle Ages. Illuminated manuscripts are so named because
their pages are “illuminated” with decorations and illustrations, made
especially vivid with bright colors and gold leaf accents. The Boston exhibition
contains more than 260 manuscripts from 19 local curators and, according to
Harvard art historian Jeffrey Hamburger, “will easily be the most
ambitious exhibition of illuminated manuscripts ever held in North America.”
The exhibition is divided among three locations around Boston, each focusing on
a different type of these historic manuscripts.
Italian
Renaissance Books—the portion of the exhibition that I was lucky enough
to visit—is on display at the Isabella Stewart Gardener Museum from September
22, 2016–January 16, 2017. This display “explores the birth of the modern book
in fifteenth-century Italy.” The exhibition delves into how book production
changed in the 1400s. At that time, parchment changed to paper, scripts changed
to fonts, and illuminated manuscripts changed to black and white ones.
Manuscripts from Church & Cloister
is being presented at Harvard University’s Houghton Library from September 12–December
10, 2016. The display focuses on how central books were to medieval monastic
life. It displays the detailed texts that were produced in monasteries and
convents. The exhibit focuses on how monastic life centered not only on the
Bible, but on books in general. The exhibit seeks to convey the monastic
reverence for texts and the “survival of classical literature and learning.”
The third part of the exhibition, Manuscripts for Pleasure & Piety,
is being presented at Boston College’s McMullen Museum of Art from September 12–December
11, 2016. This exhibit “focuses on lay readership and the place of books in
medieval society.” The pieces in this collection are heavily illustrated,
demonstrating the focus during the High Middle Ages on the visual and empirical
experience.
This exhibition is an unprecedented
collaboration between collectors and museums. Beyond Words is an excellent experience for bibliophiles and
history buffs alike. If you find yourself in Boston, I definitely recommend
going to see these pieces of literary history.
Did You Know?
Paper was not widely used until the
late Middle Ages. Instead, parchment
was commonly used. Parchment, also called vellum,
is made from treated animal skins—oftentimes from cows, sheep or goats. A large
book may have required one whole cow skin to make a single page spread. A lengthy
manuscript could use the hides of entire herds.