By Jorge Cortes, Publishing Intern
Mark Cameron was traveling in Hong Kong when he noticed many commuters
like himself, simultaneously reading e-books and listening to music. He
also noticed the obvious disconnect between the two activities, as the
music had nothing to do with what people were reading. It was then that
Mark wondered if there was a way to combine the experience: to read an
e-book while listening to relevant music, like a soundtrack. Mark shared
his idea with his brother Paul and, together, they created Booktrack in
2010.
Booktrack is a new type of e-book: one with its own soundtrack.
Booktrack hopes to improve the e-book experience the same way that
movies use music to heighten tension and emotions. And like a movie
soundtrack, Booktrack chooses music that fits perfectly with a specific
book, character, or scene. Booktrack also allows readers to adjust the
speed and settings of the music to their own specifications as they
read.
By working with the author, Booktrack is able to further immerse the
reader in the book. Imagine the background music starting very low but
reaching a crescendo as with every sentence you come closer to solving
the mystery in your book. Mark and Paul Cameron wanted the music to fit
the scene. Sound effects are also added to the music so that the person
can be part of the action. I can picture myself reading alone at night
and hearing the creaking of stairs as an intruder sneaks about the
protagonist’s house. It’d be so scary and exciting at the same time!
The first book featuring a soundtrack is The Power of Six, a
young adult novel published by HarperCollins. Tara Weikum, an Editorial
Director for HarperCollins Children’s Books, said she believed The Power of Six could work with a soundtrack because the book is “cinematic in scope.” The Power of Six
has over 70 original compositions and Booktrack is already working with
professionals so that every book has an original score. Weikum hopes to
give more to readers who fall in love with the book.
Booktrack opens a whole new dimension to book reading, adding another
sense to the reading experience. But this raises the question if the
music industry—which has drastically changed in the last few years
similar to the way the publishing industry has—will become involved in
Booktrack. Will artists and bands write songs specifically for e-books
the way they do for movies? Will there be another musician like Celine
Dion whose song, “My Heart Will Go On,” became synonymous with the movie
Titanic? Or is Booktrack simply a more expensive way to create
playlists on iTunes and listen to them while reading? It will be
interesting to see how this idea takes hold in the future!
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